Believe Me

September 28, 2016

Believe Me, low density polyethylene and pigment suspended in acrylic polymer emulsion 9balloon clips for plain fun). Size: XXXL 2029.

Believe Me

 

 

Believe Me

 

 

 

Believe Me

detailed detail

 

Believe Me

 

Believe Me

 

 

 

 

 

| More: still-life

Body Language

Body Language, high density polyethylene and pigment suspended in acrylic polymer emulsion 9balloon clips for plain fun). Size: XL. 1966.

Body Language

(flapped down)

 

Body Language

(flapped up)

 

 

Body Language

3/4 view

 

Body Language

 

Body Language

 

Body Language

 

Body Language

 

 

| More: still-life

Clinic

Clinic, high density polyethylene and pigment suspended in acrylic polymer emulsion. Size: M. 2021.

Clinic

 

Clinic

rotated

Clinic

flip it and flop it

Clinic

 

Clinic

Use a potato chip bag clip if you  need to.

 

Clinic

| More: still-life

Sent From My Verizon, Samsung Galaxy Smartphone

September 19, 2016

Sent From My Verizon, Samsung Galaxy Smartphone, acrylic paint on plastic,Size: M. 2016. Installed and left at Pay Fauxn Gallery:  https://www.google.com/maps/place/Cabs+Nursing+Home+Co+Inc/@40.6910965,-73.9520844,15z/data=!4m5!3m4!1s0x0:0x1d4f5b5ddf009604!8m2!3d40.6910965!4d-73.9520844 .

Sent From My Verizon, Samsung Galaxy Smartphone

 

 

Sent From My Verizon, Samsung Galaxy Smartphone

 

Sent From My Verizon, Samsung Galaxy Smartphone

 

Sent From My Verizon, Samsung Galaxy Smartphone Sent From My Verizon, Samsung Galaxy Smartphone Sent From My Verizon, Samsung Galaxy Smartphone

 

 

 

 

| More: installations, still-life

Karl Kani

August 03, 2016

Karl Kani, fast-drying paint made of pigment suspended in acrylic polymer emulsion and IKEA plastic protective product packaging wrap. Size: XXL. 2022.

Karl Kani

Karl Kani Karl Kani

Karl Kani

d to the tails

 

Karl Kani

3/4 view

 

Karl Kani

 

Karl Kani

full frontal glare and alllll

Karl Kani

 

 

 

| More: still-life

Must Be Nice

Must Be Nice, fast-drying paint made of pigment suspended in acrylic polymer emulsion and IKEA plastic protective product packaging wrap. Size: XXL. 2022.

Must Be Nice

in the corner, he’s cornered, she’s cornered

Must Be Nice

Must Be Nice Must Be Nice

Must Be Nice

3/4 view

 

Must Be Nice

details

 

 

Must Be Nice

installation shot in your face

 

 

| More: still-life

Fish Stick

Fish Stick, fast-drying paint made of pigment suspended in acrylic polymer emulsion and IKEA plastic protective product packaging wrap. Size: XXXL. 2022.

 

Fish Stick

 

 

 

Fish Stick

detail of a detailed detail’s detail

Fish Stick

3/4 viewing pleasure

Fish Stick

installation shot(s) vvvvvvvvvvvvvvv

Fish Stick

Fish Stick Fish Stick Fish Stick Fish Stick

 

 

 

| More: still-life

I Know What You Re Thinking

June 25, 2016

I Know What You Re Thinking, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

I Know What You Re Thinking

3/4 viewing only

 

I Know What You Re Thinking I Know What You Re Thinking I Know What You Re Thinking I Know What You Re Thinking

FullSizeRender 56

I Know What You Re Thinking, and No You Didn’t

 

| More: still-life

Thanks NRA

Thanks NRA, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

 

Thanks NRA

Thanks NRA Thanks NRA Thanks NRA

Thanks NRA

3/4 viewing perspective for you viewing pleasure

 

 

| More: still-life

No You Didn’t

No You Didn’t, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

No You Didn't  No You Didn't No You Didn't No You Didn't No You Didn't No You Didn't

No You Didn't

3/4 viewpoint

 

 

| More: still-life

Good Hands

Good Hands, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

Good Hands

Good Hands

 

Good Hands

 

Good Hands Good Hands Good Hands IMG_2384 Good Hands Good Hands Good Hands Good Hands Good Hands Good Hands gif

 

 

 

 

 

| More: still-life

Saved By The Bell

Saved By The Bell, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

Saved By The BellSaved By The BellSaved By The BellSaved By The BellSaved By The Bell

 

Saved By The Bell

 

 

 

 

 

| More: still-life

Wait For It

Wait For It, clay hardened by heat, fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

 

Wait For It

 

Wait For It

3/4 view

 

 

Wait For It Wait For It

Wait For It

Wait For It

 

 

 

| More: still-life

Practice

June 17, 2016

Weak Sauce, You Do You, Get You A Man Who Can Do Both, Peekaboo (combined w/ props).

IMG_1385

 

IMG_1370

minus Get You A Man Who Can Do Both

 

IMG_1342

detail of a detailed detail

 

FullSizeRender

minus Get You A Man Who Can Do Both

 

 

| More: Uncategorized

Weak Sauce

May 27, 2016

Weak Sauce, clay hardened by heat and water-soluble when wet, yet water-resistant when dry fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

Weak Sauce

 

full frontal

 

Weak Sauce

3/4 view for your viewing pleasure

 

Weak Sauce

full frontal

Weak Sauce

full frontal

Weak Sauce

full frontal

Weak Sauce

full frontal

full frontal

full frontal

full frontal

full frontal

ull frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

ull frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

full frontal

ull frontal

full frontal

full frontal

full frontal

full frontal

 

 

 

 

| More: still-life

You Do You

You Do You, clay hardened by heat and water-soluble when wet, yet water-resistant when dry fast-drying paint made of pigment suspended in acrylic polymer emulsion. Size: XS.  1979.

 

You Do You

3/4 view

 

You Do You You Do You

You Do You You Do You You Do You You Do You You Do You You Do YouYou Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You You Do You

You Do You

 

| More: still-life

Peekaboo

Peekaboo, clay hardened by heat and acrylic paint. Size: XS. 1979.

Peekaboo

 

.75 viewpoint perspective

 

 

Peekaboo

Peekaboo

 

frontside/backside/lip slide revealed

 

 

| More: still-life

Get You A Man Who Can Do Both

Get You A Man Who Can Do Both, ceramic and acrylic paint. Size: XS. 1979.

Get You A Man Who Can Do Both

 

3/4 viewing pleasure

 

 

Get You A Man Who Can Do Both Get You A Man Who Can Do Both

backside/frontside/backside revealed

 

 

 

| More: still-life

INSTALL HELP

April 28, 2016

Everybody Lacks Confidence

 

On the Clifff

Act Like You Are Quiet

Lying Down So Comfy Doubting The Refrigerator Closing Completely

 

 

 

 

| More: Uncategorized

Ditch Projects

April 10, 2016

ditch projects

Keith Allyn Spencer: Thank God I am Not God
April 9 – 30, 2016
Opening Saturday, April 9, 6-9pm

“Energy, especially that of color, is the most important element in Keith [Spencer’s] landscape and figure paintings that come to life with no formal studies other than a rudimentary midnight sketch using more notes than lines. Painting directly on canvas with broad strokes of oil produces softly realistic and semi-acbstract works. Spencer’s beloved horses, the human figure and rural scenes of South Carolina’s upstate and lowcountry vibrate with life and invite the viewer into a world of glowing color and gentle shapes. Spencer paints the radiant energy of his subjects rather than the details of line and form. Horses, cattle, groves of trees, rolling hills, salt marshes, and nudes all emit a life force that combines with that of Spencer [himself] to appear on the canvas in cool, vivid hues of purples, greens, yellows, and the myriad colors of nature.”

“If I could paint, I’d want to paint the way he does. I’m blown away by his work. Keith Spencer’s sense of structure is impeccable. Nobody uses Cadmium Red to better advantage. His painting approach is fresh and energetic, but with substance.”

“[Keith Spencer] …is an exceptional painter…his work is very strong.”

“I have collected the work of Keith Spencer for many years now, and I live with his paintings everyday. Keith’s work radiates from the walls of my house. It is no exaggeration to say that the best of his work possesses a profound energy that comes from a remarkably unique and intense pallette and a deep connection with the subject matter, whether it’s the familiar landscape of the South Carolina horse farm where he lives and paints, or the nudes, portraits and Indians that seem to live even in abstraction. The earliest works I own of Keith’s are exact realism and could be mistaken for photographs in their precision. He has earned his way to the new and visionary work he creates that blurs the line between realism and pure abstraction. The discipline of his former life as a realist comes through the paint. His work is alive.”

“Free and confident. These words describe the work of Keith Spencer. His excellence in color—–his strength in brushwork….this draws you into his paintings—-then you become fascinated by his interpretive landscapes and figurative work. His brush seems to dance on the canvas. I am sure his work will delight us for years to come. I look forward to “what next” from this talented artist.”

“Rythmic, strong brushwork is a prevalent force in Keith Spencer’s paintings. His images are built with and enhanced by richly loaded color. Many times hovering between realism and abstraction these images strike a note that is familiar with our visual understanding
of nature, yet allows for a conceptual response as well. The painter frequently begins with a deeply toned background, that he allows to become part of the painting, and that contributes to a strong feeling of unity. His paintings address the landscape or figure with an engaging freshness. While being grounded by excellent draftsmanship, he allows the work to be expressive and open to chance. This is not an easy line to walk and Spencer’s work balances these elements well. The result is that this artists paintings are unusually
vibrant and inviting .”

“Keith’s work really is very strong. He is both an expressive painter and a true colorist.”

“Keith Spencer’s rich, luscious oils capture the light and depth of the southern landscape as few artists can. His realism is textural and thick, encouraging the viewer to enter the painting and become a partof his world. ”

“You don’t have the choice not to paint. You never really did”.

“As a gallery owner and professional artist myself, I have always had a great respect and admiration for the talent and vision of Keith Spencer. The base of knowledge upon which Keith builds his work shows a depth of understanding that is rare in contemporary artists. I feel that Keith’s understanding of color, composition, and movement, allow him to create works that function on both a figurative and abstract level. If realism is about subject matter and abstracts are about paint, Keith’s work bridges the gap. That is one reason I have found his work to have such widespread appeal. The average viewer does not have to search for a connection to the work. The confidence and richness in Keith’s paintings allows the viewer to simply trust in the beauty that the artist has communicated. I have had the pleasure of working with Keith Spencer for a number of years and have watched his work evolve. Throughout all of this process there has been a string of continuity that I call the artist voice. His work is still evolving and refining, as all true artist’s work should. I look forward to seeing the path on which it will take us as the viewers.”

KEITH ALLyN SPENCER (b.1979) was born and raised in the American Southwest. An emphasis with the middle letter of his name helps diminish the perpetual mix-ups with similar named persons. Currently, Kurt resides with his family in Bloomington, Indiana. He is a Visiting Assistant Professor navigating towards long-term job security, cul-de-sacs, and organic groceries. BlackLivesMatter. Kent received his MFA in Painting from the Rhode Island School of Design (2011) and a BFA from the University of Texas at El Paso (2003). Recent group exhibitions consist of Present Company (NYC), New Galerie at Yves Klein Archives (Paris), Simon Oldfield Gallery (London), and BigMedium (Austin). Recent solo shows include The Composing Rooms (Berlin), Welcome Screen (London), Juicys Gallery (NYC), OFG.XXX (Dallas), Target (Indiana), and Domino’s Pizza (Rhode Island).

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